Showing posts with label 1964 Topps Baseball Coins. Show all posts
Showing posts with label 1964 Topps Baseball Coins. Show all posts

Saturday, October 11, 2025

A Red Letter Year

An accumulation of promotional materials here at the Topps Archives Research Complex concerning the 1964 Topps Baseball offerings has finally hit criticality and, after a comprehensive review, I can confirm it's a definite feast for the eyes.

1964 was the year Shea Stadium opened in Queens along with the World's Fair next door, and MLB held the All-Star Game in the borough on July 7th. The Mid-Summer Classic was hosted by the Mets in their brand spanking new ballpark amid all this wonderful tumult, as the National League squad won the star-studded exhibition. Topps clearly decided to take advantage and issued five colorful sets in '64, some of which specifically celebrated the event taking place practically (16 miles away) in their backyard.

The regular Baseball set is well known of course, and sported a design intended to show off the player photos unencumbered by graphics:


That popping out of Stallard's cap from the photo into the frame of the card was a feature of the set and most player cards exhibit this flourish. Now this is all well trod territory but I'm betting most collectors have not seen the 1964 gift box Topps came up with. I'm guessing this was offered after the season had concluded to burn off extra stock:


That image was provided by Friend o'the Archive Tom Daley and it's also appeared over at Sports Collectors Daily, which has some additional details, including a look at the sell sheet, which you should click over to see. However, there is another interesting box from 1964, one that displays Stan Musial, who had retired after the 1963 season, as a possible coin (and inferred card) subject on the front panel:


Musial publicly announced he was retiring in August of 1963, so his use here by Topps seems to have been a deliberate ploy to get the kids buying up packs to find him. It was an early series box (which we will see evidence of below) and the design was eventually changed:


The Baseball Coins were the sole insert for the year and we'll get to them in a New York minute. First though, I just want to highlight the special cello packs Topps issued in '64:


That's a pretty good deal for a dime I'd say; love the red and see-through readability! Here's a peek at two of the coins (not the ones in this pack):


The Baseball Coins look to me like they were issued in three waves. There were 120 early subjects, likely split into smaller coin batches that may have been "overlaid" with each other at various points. Here's an old auction ad from Leland's showing a full sheet, with description:


Some sources indicate the coins were found only in third, fourth and fifth series packs but this Salesman's Sample makes me believe it was really from the get-go:


Mantle, of course, was a first series card and the back of this sample really makes it clear the coins were there along with the cards; now! in fact:


Note the Musial coin image on that front panel!

Later in the season, Topps issued a "high number" series of 44 "All Stars", which were part of their multi-pronged All Star attack.  These had a special design, with blue backgrounds for the AL, red for the NL:


Yes, Lumpe was indeed an All Star that season...



...but many of the players in the All-Star subset were not.  Instead, Topps was going with players who had once or still were, All Stars. There's 44 players in the All Star subset, but 47 subjects in the master series as Wayne Causey was shown on the reverse of his coin as both an NL and AL player with the Athletics, and Chuck Hinton also managed the same trick, albeit with the Senators.  And of course, Mickey Mantle appears as a switch hitter on two different AS coins. Unlike Causey and Hinton though, the Mick has two distinct poses. I make that a 165 coin base set then, plus two variations but your mileage may vary. 

Hinton was a 1964 All Star but Wayne Causey never played on a major league All Star team. He was quite solid in 1963 and in '64 but I can't find any kind of information indicating he was selected and then could not participate; in fact he played in 157 games in '64 so I doubt he was injured and needed to pull out of the game. Maybe Topps believed he would be the representative for the Athletics, but instead that honor went to Rocky Colavito, who was having a really good season, so it's a definite headscratcher.

At least Topps was able to predict the NL starting pitcher for this sell sheet, which also features the phantom Musial:


We now turn to the Baseball Stand-Up set. This 77 subject green and yellow themed issue was not marketed as an All Star set but was essentially one in spirit.  The wrapper was a colorful beacon, in one and five cent form.  Here's the penny version: 


The sell sheet for this standalone set was pretty instructional, with this one straight from Woody Gelman's files:


Here's an uncut sheet of the set, which some notorious short prints. Coupled with the self-destructive nature of these cards, those SP's, which I covered in 2013 (!) can be tough indeed:

One set that did give an actual nod to the All Star theme was the one we refer to today as Giants or sometimes Giant Size All Star cards. The retail wax box was a thing of beauty:

By the way, that was not how Ford's card appeared in the set:


Whitey's does not, but some of the card backs reference events from the 1964 All Star Game itself. Check out the narrative on Johnny Callison's:


Talk about hot off the presses!  However, that attempt to harness post game energy flopped big time, and Topps had a gazillion leftovers. Reports from L.A. fans of the Sixties indicate they were sold at Dodger Stadium in made up packs of 25 for years and a well-known dealer purchased an immense lot of them in the Seventies.  You can find nice cards today with ease but don't be deterred by the numbers, it's one of the best looking things Topps ever put out.

A Baseball Photo Tatoo release also peppered the candy counters of the day and it's a little hard to find examples in nice shape. 


Here is the immortal Don Lock:


There were also twenty team logos mixed in:


I should probably revisit this set as it has a fair number of variations and nuances. For another day then but before we go, there's three more sets to deal with, one of which was 1964-adjacent and one of which was more traditional.  In reverse order, the traditional in the form of Bazooka's annual release:


Coupled with its amazin' box insert, long sheets of Bazooka Baseball Stamps:


These were advertised on the end flaps of the box, with ten different sheets available:


As if that wasn't enough, Topps also supplied fifty images for the 1964 Wheaties Baseball Stamps:


1964 was very much the year of Baseball and Beatles (with the mop tops not yet covered here in any kind of depth) for Topps.  Both were concentrated efforts that really helped fill the ol' coffers!

Saturday, January 11, 2020

Cello There

Some really nice vintage Topps cello packs popped up recently at REA's fall auction. They are killer items of course and sometimes they give a glimpse as to when certain inserts were popped into the packs. Plus they look great! This got me thinking about a look at some of these packs that didn't push gum and were "only" brimming with cardboard.

Topps issued Baseball cards in (mostly) 12 card cello wrapped packs from 1953 onward, although 1952 cellos are alluded to by both Darren Prince and Mark Murphy in their unopened pack guides, while it's unclear if any have been seen or photographed. PSA doesn't list any in their pop reports but a non-sports issue from that year, the massively overproduced Wings set, is there.

From 1953-57 Topps issued cellos in retail boxes using Trading Card Guild packaging. This 1953 box shows one way this was done, using clear cello wraps, which is how they were issued most years:


They continued apace in 1954-56 then in 1957 Topps put some graphics on the cellos, although I am not sure why but probably an early attempt at branding their various lines:


I'm not sure how 1958 and 1959 were handled by Topps.  They were dealing with a true geographic western expansion of the game past the Mississippi River and their distribution was getting pretty far afield. They issued cellos in these years but I'm not sure if they had ten cent retail boxes that used the Trading Card Guild (TCG) boxes, stuck them in "long sleeve" 29 cent rak paks or both. At a guess I'd say both.

1959 seems to be more abundant no matter how they were issued though and that year was a seeming high point in terms of the sheer number of cards issued in the 1950's measured against the US population. By 1960 those long sleeve raks were how a lot of cellos got distributed, still in generic red, yellow and blue TCG-style livery through at least 1962 and which I will get to in a jif.

Here's a 1961 cello, I can't seem to find any with the stamp inserts and Topps may have only included them in the wax packs:

 

1962 was a different story though:


 
(Courtesy Memory Lane)

Many cellos can be found "reversed," with the folds on the front of the pack.These are the Trading Card Guild colors I mentioned earlier along with the"long sleeve" rak paks (sports raks of the era named the sport instead of saying "Hobby Cards"):


Talk about burying the lead with the currency insert!

Retail cello boxes held 36 packs at this time. It looks like the rak headers went to a kind of hybrid look in '63 then in 1964 and '65 sometimes went to set specific graphics that mentioned the Trading Card Guild again; this bastardized rak packing lasted through 1967-ish. Check out this Topps sell sheet for 1963, courtesy of Friend o'the Archive John Moran:


I haven't had any luck finding a '63 cello with a Peel Off on the back and the insert marketing schemes by set and series seemed to vary each year in the 60's. I'll keep looking as I want to document more of these. 

Topps changed the cello livery in 1964 for Baseball.  It was a special year for Topps with the 1964 All-Star Game being held locally at Shea Stadium and they did a lot of extras that year - some big (1964 Giants) and some small, like mixing up the packaging:


I'm not sure if the cello material is a little stronger due to the coin duo inserted within but red is the theme here!  The back mentions Topps and not the Trading Card Guild:


Meanwhile, back in Liverpool, the cello boxes were still using leftover stock I guess:


(Courtesy Lelands)

But the Beatles Color Photo raks had a nice header and then some while still identifying the Trading Card Guild:


The '65 Baseball raks seem to be relatively hard to find (one is shown here, but here's a fugly reverse wrapped cello from the first series: 




1966 raks are much easier but we're here for the cello's:


It has nothing to do with this post really, but my dad was a teacher who brought home all the stuff he took away from his junior high students every three or four years when he cleared out his desk. When I was 10 or so, one of the items he hauled back home was a 1964 Jerry Lumpe card.  I thought his name was the funniest thing I had ever seen at the time.  

The back includes a Ruboff of Moose Skowron. Poor guy's upside down!


There were 120 Ruboffs that year, issued in their own series structure in a way, 20 or 24 at a clip just doing the math.

Anyhoo....sometimes it's what's not there that tells the tale. Check out this first series pack from 1967:

On the back?  Bupkis:



Just having the cards come out in the spring was enough incentive I guess.   Actually, Topps sometimes included inserts in the first series cellos and sometimes they did not. However, in 1967  the high numbers had an added extra.  Check out this amazing pack:


Doubly amazing actually as that Seaver rookie looks centered!  Underneath it all, was a Pin-Up:


That browning seems to be caused by the acidic pulp paper used by Topps for the posters reacting with the adhesive holding the pack together. Other cellos from other years with different inserts don't exhibit this problem. 

From 1967-69 Topps issued 48 count cello boxes and went to the three pocket "loose" 3-cell rak pak style that didn't overwrap cellos anymore. 1970 brought the bigger 33 card cello packs that came in their own little box through 1972 and I'll pick up with the 1968-69 cellos next time out.

Saturday, March 28, 2015

Space Patrol

Of late I have been looking into various third party printers and manufacturers used by Topps over the years. In addition to their two main printers for mainstream sets (Lord Baltimore Press from the late 40's through the early 60's and Zabel Brothers from the early 60's through the 90's) they used at least one "overflow" printer, especially in the 1960's as the baby boomers were buying cards faster than Topps could make them. The evidence points to Stecher-Traung Lithograph Corporation (later Stecher-Traung Schmidt Corporation) of Rochester, New York as the overflow printer and they seemingly also printed cards for Topps in a Connecticut branch as well.

Here's an interesting hobby side note-Schmidt was the printer of the 1909-11 Obak baseball cards, which are some of the most beautiful cards ever made, and certainly printed a host of other sets before and between World Wars 1 and 2. Stecher-Traung was known more for their seed packets and fruit crate labels, which were also works of art. One of the places we frequent on vacation in Vero Beach has a large display of their labels in the lobby.  Here is a good example of one:


(courtesy www.cerebro.com)

The Osborne Register Company did some "minting" for Topps from about 1948-52, especially the earliest versions of the Golden Coin issue.

Topps had a Japanese manufacturer for certain novelty items in the 1960's and early 70's but some U.S. Customs issues may have curtailed that relationship. That is definitely a work in progress on my end,  However, I have seen many references to a Canadian Manufacturer Topps used to make its 1964 and 1971 Baseball Coins, a firm called Space Magic Ltd. of Don Mills, Toronto, Ontario. This would be fairly close to where O-Pee-Chee was headquartered in London and it would make sense that Topp's Canadian partner would have been able to source a manufacturer for them.

Pretty much any baseball collectors knows about these colorful coins, which are printed on light aluminum, have rolled edges and came inserted in packs of Baseball.  Here's the 64's:



The 1964 coins were printed on large 255 coin sheets, as this Leland's auction from February 7, 1992 shows:



You will note there is no reference to Space Magic, so it's a bit of a leap of faith that they were manufactured by them,  However, I think it's correct once you look at this next item.  For instance, this largely uncatalogued set of 20 Batman coins from 1966 bears the Space Magic Ltd. name:



There was no second series incidentally. That blueish color looks like a dead match to me.  The coins are pretty pedestrian and used the very mundane comics artwork of the time to cash in on the TV series but the shields used to house the coins are spectacular:


Holy crap Batman!

The 1971 Baseball Coins were probably issued in three groups, each having 51 coins.  51 is interesting because it divides evenly into 255, so five complete series could be run on a full sheet. Here is one of the 51 coin series sheets in proof form


There are a number of other aluminum coin sets out there, most from the 1960's.  The 1962-63 Salada Football Coins, the 1963 version of Salada's Baseball Coins, 1962-63 Shirriff  Hockey Coins (Shirriff was owned by Salada), 1965 Old London Baseball Coins, and probably a few others I am missing.  I suspect Space Magic Ltd. made them all, even though not every one divides neatly into a 255 coin production sheet.

I have not found too much on Space Magic Ltd. so maybe one of our Canadian readers can provide some insights.  I will keep looking though.